Christopher

par·al·lax

/ˈperəˌlaks/

noun

the effect whereby the position or direction of an object appears to differ when viewed from different positions, e.g. through the viewfinder and the lens of a camera.

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In animation, this technique adds depth and motion to a still image or multiple images, bringing them to life. Over the years I have been asked to create these types of animation to bring to life old etchings, old photographs or a stagnate image.  By breaking apart an image I can create depth and give the illusion of moving through the picture. Adding other elements such as particles, lights, fire, smoke and other visual effects can create anticipation, excitement or a forbidding anticipation.  This captivating drama in the motion of the image makes it feel alive.